A greater 'Color Gamut Volume' enables PowerRIP X v10 to print more colors and to print more accurately.
Measurements of PowerRIP X prints, on the printers listed above, shows up to 15% greater color gamut volume on photographic papers with gloss and semi gloss finishes, and up to 30% greater color gamut volume on art and matte papers.
#BEST RIP SOFTWARE FOR EPSON 1430 PRO#
PowerRIP X v10 has a greater 'Color Gamut Volume' than any competitor, as measured by Chromix's ColorThink Pro 3 software for the Epson Stylus 4880, 7880, 9880, 11880. PowerRIP X for Epson InkJet Printers - Color Profile Printing Correction - Download::: Your location: / / PowerRIP X Downloads PowerRIP X™ & PowerRIP X LF v10 for Epson®, Canon® and select HP® Inkjet printers Current version 10 adds support for version 10.9.x, 10.8.x, and 10.7.x Epson Stylus R1900, R2000, 4880, 4900, 7880, 7890, 7900, 9880, 9890, 9900, 11880 and other listed printers below. To T-Seps color separation software, T-RIP for inkjet film output. I think you'll find, with a bit of research and some experimentation, that you can print exceptional black and white prints with an inkjet printer.AccuRIP BLACK PEARL Desktop RIP Software The latest edition released MARCH 2015. I print on either Epson Hot Press (for matte), or Red River Ultra Pro Satin, and Costco Glossy. Many folks use more than one ink, and the Quad Tone RIP program handles this very well, and the results are much smoother than with one ink, but you would be amazed at what one ink can do with a 1.5 picoliter drop printer like the 1430. I use the paper/ink profiles for Quad Tone RIP made by Paul Roark. I use a single ink, either a pure carbon matte black (WJ1082) or a photo black (WJ1122). I have an Epson 1430 printer (13"), and I use a program called Quad Tone RIP by Roy Harrington ( ). What I do is fairly simple, but the results I get are quite good. But before I tell you what I do, there is a yahoo group called that you should join, and you also should read a fellow named Paul Roark's website, specifically the page. Again, if you have had an experience with that, please let me know. I have heard that some Durst Thetas do take real B&W paper, but I have never seen the result, and none of my local labs seem to be aware of such a thing. After all, they use color photosensitive paper by default. The typical pro ink sets (like Epson K3 system) don't seem to be able to produce rich B&Ws, despite having several black levels in the set.ģ) Durst/C4 prints also produce very mild blacks and very thin mid-tones.
I have not used the all-black carbon ink sets as my local labs (in Montreal) do not have them, but if you have used any I would like to know about your experience.
Where do all these art galleries print their black and whites then?ġ) The enlargers I have access to are not able to make large (1m+ wide) prints, and even if they can, I don't have the equipment to properly develop and dry such prints.Ģ) Inkjet prints I have made are rather limited in their black and white tones.
#BEST RIP SOFTWARE FOR EPSON 1430 HOW TO#
It seems nobody around me knows how to print B&W anymore.
The question is simple: How can one make decent black and white prints today, specially in large formats? But then answering it takes ridiculous dimensions each time I want to print a B&W photo.